The song here: https://youtu.be/55FP1LfkkVQ
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Because of the dark nature of this story and mentions of suicide, listener discretion is strongly advised. The year was nineteen thirty two, and in the heart of Budapest, a struggling songwriter named Rigiu Siress sat at a small piano, his fingers tracing sorrowful notes across the keys. The world around him was unraveling, hungry back then, like much of Europe, was still recovering from the Great Depression. Jobs who were rare, and hope was even rarer. The air was thick with a sense of inevitable despair. Regia's Heiress, once a circus performer, had turned to composing music, hoping to find success in a feel that so far had mostly ignored him. His melodies, though beautiful, had failed to capture the attention of music publishers, and yet on this particular Sunday afternoon, as rain tapped against the window pane, he felt something different in the air. The tune he played was unlike anything he had composed before. It was haunting, slow, dripping with melancholy. It wasn't a song meant to be danced to, or even sung with joy. It was a kind of melody that clung to the soul, weaving itself into the dark corners of the mind. He called it v ja bi locknack The world is ending, and thus began one of the most haunting tales of music. I have ever heard a song that was considered too dark because it would lead to people ending their own lives. And in this episode I will cover the history behind the song as well as the urban legends involved. And for those curious to know what it sounds like still until the end, my name is Edwin and here's a horror story. The inspiration for his composition, some say, came from a deep place of personal sorrow. There are rumors, though history has blurned the truth, that Rigiu had been engaged to a woman he deeply loved, only for her to leave him, breaking his heart. Others believed that his despair came from a larger existential sadness, a feeling of helplessness as the world around him descended into chaos. But either way, Sirs wrote his lyrics as a final plea to the heavens. The words told the story of hopelessness and finality, painting a picture of a world beyond saving, where prayers go unanswered and humanity is left to face its doom. But when he brought the song to music publishers, they rejected it straight up. No, it was too depressing, they said, too hopeless. Who would want to listen to something so tragic. Disheartened but not defeated, Sirres sought out a collaborator, someone who could take his melody and give it a more personal emotional weight. That's he turned to Laslo Yavor, a poet known for his deeply emotional and sorrowful writing. Yavor, who had recently experienced heartbreak himself, rewrote the lyrics, transforming Reju's apocalyptic despair into a deeply personal ement. The song was now going to be called Somuro vashernap Gloomy Sunday. The song told the story of a man who had lost his beloved and, unable to bear the weight of his grief, decided to take his own life. The words were hauntingly intimate, and together with Reggu's melancholic melody, the song became something more than just music, became a funeral hymn for the broken hearted. The first known recording of Gloomy Sunday was made in nineteen thirty five by Hungarian singer Paul Kalmar, his voice filled with sorrow, breathed life into the words, and soon the song began to spread across Hungary. They played in smoke cafes where lonely souls sat nursing drinks. It echoed through radios late at night when people lay awake with their thoughts. But then the rumors began. It was said that people who listened to the song too often would become overwhelmed with sorrow, that some, after hearing its tragic melody, would take their own lives. The first reported case was a man found dead in his Budapest department, a suicide note beside him with only two words written, gloomy Sunday. At first it was dismissed as a tragic coincidence, but then other story surfaced, stories of young lovers who died together with a song playing in the background, and then the story of a woman who drowned herself in the Danube River clutching a sheet of the song's lyrics. The song, it seemed, had a power unlike any other, and before long the power would spread beyond and Hungary's borders, bringing with it a legend that would last for generations. The song had barely begun its life when the first whispers of its dark reputation started to spread. At first, there was nothing more than a curiosity, a song that made people cry. That was the intended effect. After all, Gloomy Sunday wasn't meant to be uplifting. It was composed in sorrow, inspired by sorrow, and now it seemed it was bringing sorrow wherever it was played. But then the rumors turned into something far more disturbing. In Budapest, police began noticing a strange pattern. A man was found dead in his apartment, a revolver still in his hand and the sheet of music of Gloomy Sunday resting on the desk beside him. And then another person, a young woman this time, had been heard playing the song on the piano moments before jumping from a bridge into the Danube. An elderly shopkeeper was discovered hanged in his store with a note referencing the song. Suicides were not uncommon in Hungary, especially in the years following the Great Depression, but something about these cases felt different too. Many of the deceased had either been listening to, playing, or referencing Gloomy Sunday in their final moments. Was it a coincidence or was there something truly cursed about the song. By the late nineteen thirties, a song's reputation had spread beyond Hungary. Reports of suicides connected to Gloomy Sunday surfaced in other parts of Europe. In Berlin, a young woman was found dead in her apartment after listening to the song on repeat. In Vienna, a man reportedly collapsed in the middle of a cafe after hearing it played by a pianist. Newspapers who are always eager for a sensational story seize the opportunity. Headlines called it the Hungarian suicide Song and the killer Melody. Some claim that playing the song at home could lead to a sudden onset of depression, while others even warned that simply humming the tune would bring about an overwhelming sense of despair. The hysteria surrounding Gloomy Sunday reached its peak when authorities in Budapest officially banned public performances of the song, and yet the bands did little to stop the legend from growing. By the time the song reached America in the late nineteen thirties, it had already gained a chilling reputation, but instead of being buried in obscurity, it became more famous than ever. In nineteen forty one, jazz icon Billie Holiday recorded an English version of Gloomy Sunday. Her deep, soulful voice brought an eerie weight to the lyrics, and for many her rendition was the definitive version of the song. But just like in Hungary and Europe, the song still seemed to carry a dark energy. Soon after Holiday's version was released, the suicides began again. A woman in New York was reported to have overdosed on sleeping pills after listening to the song on her phonograph. A college student in New Jersey was found lifeless in her dorm room, the record still spinning on the turntable. Even radio stations began receiving letters from distressed listeners who claimed the song made them feel unbearably sad. But then something extraordinary happened. The BBC, one of the most powerful broadcasters in the world, officially banned the song. At first, it didn't give a clearer reason. Some assumed there was due to the increasing numbers of suicide reports connected to the track, but others speculated that with World War II raging, the government feared that Gloomy Sunday would lower the morale of soldiers and civilians like The band wasn't lifted until two thousand and two, making it one of the longest running music bands in history. For all its eerie reputation, the sadist chapter of Gloomy Sunday belonged to its own composer, Reggio Siress. Despite the song's worldwide success, Reggio Siress never found true happiness. His music career never took off in the way he had hoped. He continued to live modestly in Budapest, where he played piano in small cafes. Then, in nineteen sixty eight, he attempted to take his own life, jumping from the window of his apartment in Budapest. He survived the fall, but later died in the hospital from his injuries. His death only fueled the song's ominous legacy. Had he been haunted by the very melody he created, had Gloomy Sunday been a curse not just for those who listened to it, but for the man who gave it life. To this day, the song remains a mystery wrapped in legend. Was it simply a beautifully tragic melody that resonated with people already struggling with sadness, or was there something more sinister at play, something with the notes and lyrics that carry an inexplicable darkness. Whatever the truth may be, Gloomy Sunday remains one of the most haunting songs in history, forever linked to a trail of sorrow, unanswered questions, and a legend that refuses to die. The legend of Gloomy Sunday did not end with the death of Regils Rass. If anything, his tragic fate only cemented the song's place in history, turning it into more than just a melody. It became a ghost story, a mystery, and a forbidden tune, one that's whispered about in dark corners and played by those willing to tempt fate. But was there truly something cursed about Gloomy Sunday or had it simply become the victim of its own myth. Even as the year's passed, a song's reputation only grew darker, fueled by new adaptations, strange coincidences, and eerie experiences shared by those who dared to listen. Decades after its first release, Gloomy Sunday remained one of the most covered songs in history. Each artist who performed it added their own touch, some slowing it down to an almost funeral like pace and others leaning into its jazz and blues elements. But no matter how it was arranged, the song's haunting essence remained untouched. Over the years, Gloomy Sunday has been performed by many many artists, some who gave the song an almost ghostly quality with ethereal voices, some with renditions that were raw and full of sorrow. Some embraced the song's eeriness, adding signature other worldly styles, and others transformed it into slow, haunting ballads. Each new version only deepened the mystiques around a Gloomy Sunday, but with each cover, strange stories continued to emerge. Some radio djays claimed that after playing the song on air, they received calls from distressed listeners saying the music made them feel overwhelmed with sadness. Others said that they couldn't shake a strange feeling, as if the song itself carried a dark presence, something invisible yet heavy in the air. And then, of course, there were those who insisted that listening to the song alone late at night was a dangerous thing to do. For years, Gloomy Sunday had an almost mythical status among musicians and music lovers. Some people believed that playing it too often would bring bad luck. Others claim that simply reading the lyrics, especially the original Hungarian version, could bring an overwhelming sense of despair. In some countries, the song was outright banned from being played on the radio. Even after the BBC lifted its decades long restriction, some stations still refused to air it, worried about potential consequences. One of the strangest modern stories associated with a song came from Japan. A DJ reportedly played it on his late night show, only to receive a flood of phone calls from panic listeners. Some said they felt suddenly depressed, while others claimed they couldn't sleep afterward. The station then stopped airing the song altogether. What was it about Gloomy Sunday that continued to haunt people even in the twenty first century. Was it merely a case of mass hysteria, a psychological trick caused by decades of myths, Or was there something embedded in the song itself, something that couldn't be explained? But I think is that Gloomy Sunday just closely resembled reality, at least at the time. There was a song about loss, written by a man who lost his love and eventually his life. It was performed by some of the greatest musicians in history, and yet it carried an undeniable weight, sadness that seemed to cling to it no matter who sang it. Maybe that's why it remain so unsettling, because at its core, a Gloomy Sunday is not a ghost story, nor is it a curse. It's simply a song about human suffering. It captures a loneliness and pain that everyone, at some point in their lives has felt. It does not offer hope, It doesn't pretend that things will get better. Instead, it stares directly into the abyss and invites you to do the same. Maybe that's why some people can't bear to listen to it, because Gloomy Sunday forces them to feel something too deeply, something that would rather ignore. And yet, for all of its darkness, for all of its legends and tragedies. One thing is certain. The song refuses to die. It is still play, it is still whispered about, and it is still feared. And every single time someone presses play, the legend of Gloomy Sunday begins again. If you are curious about the original song, it is linked in the description of this episode. Thank you so much for your ideas about haunted places and creepy mysteries that you've been sending in. Our show is growing, so you might see it popping up in more places, and that's all because of your support and coming back every week to listen. As always, if you need to get in touch or have ideas to send, I'll leave my contact information and the description of this episode. If you already tap the follow button on the show, I will talk to you next week. Thank you very much for listening. Keep it scary, everyone, see it soon. One bays gloomy while as a stumbled out to hear it. The shadows and

